cedar_grove: (Earth and Sky)
She had thought the anger was gone, the desperate feeling of betrayal eased, but shards of broken dreams remained like shattered pieces of glass dropped on a marble floor. Self-pity had found time enough to weave a snare of despair and hopelessness time to mix with an ample portion of jealousy, to breathe the sulphur fumes of hatred.The Kingmaking - Pendragon's Banner Book 1 by Helen Hollick


If you expect anything of the usual in this retelling of Arthur's story then basically don't read it. It's real, it's gritty - it brings the dark ages to life with all their terrible brutality and cunning plotting. The men are /real/ men - both for good and ill. Arthur's no angel and Gwenhwyfar no whiter than white holy woman, rather she's a daughter of Gwynnedd, as down to earth as they come.

Trapped in a marriage to Winifred, daughter of Vortigern, an a half saex to boot, Arthur must bide his time until he is in a position to take over kingship of all Britain. The plot twists and turns around incidents that make sense of the fanciful in the other retellings. Not the least of the heartache is the love Arthur and Gwen have nursed since childhood, and the equally intense hatred Winifred harbours for Gwen, even though she holds little love for her husband. It's a story of the pride of some of the characters, with murder, rape, pillage, battle, war... and realistically told.

And Morgaine? Oh yes, she makes an appearance - but not /at/ /all/ as you would expect her to be. I'm very torn... not sure if I want to read book 2 or not... and not becuase it isn't good - it is. Just because some of it perhaps hits a little close to home.

gw=
cedar_grove: (Mystical)
"Dydwy ddim yn Sais, you bastards!" Berry Morelli from Candlenight by Phil Rickman


All bar one of two, I think I've read all of the books by Rickman - probably puts him on the list of our favourite authors. This is actually his first novel, (I read them out of order), but it is by no means any less engaging than the others.

Candlenight takes as its subject the fierce rivalry between the English and the Welsh that still exists in some parts of Britain, adds a pinch of the cultural and spiritual heritages of the Welsh and a liberal splash of magic. Rickman is incredibly subtle in his approach to the supernatural element of the story, leaving much of it to the imagination of the reader, which of course is a far more effective way of approaching it. The sense of menace comes over very well... chilling, I would imagine to the English among us... the sense of threat to those who do not have the blood of the Red Dragon flowing through our veins in a place where it is quite simply fatal to be English.

Rickman deals in one or two paragraphs with the history of the modern revival of the Gorsedd, or Bardic/Druidic traditions that haev haunted Welsh history since the dark ages and leaves mostly unspoken the explicit connections of those in the sory who perhaps represent the Gorsedd Ddu, (Black Bards), who as the name suggests are the practitioners of the black magic underlying the ill wind that blows through Y Groes - the setting for the story, an idilyc Welsh village - until close by the end of the book. He pins much of the strangeness on the secret presence in the village church of Owain Glyndwr (Owen Glendower), last of the Welsh 'Kings' after Llewellyn, or rather, the presence of his tomb.

This was an intelligent and enjoyable read.
gw=

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